According to the updated and dated sources from this year, the overly long highway scene through Tokyo in Tarkovsky’s film ‘Solaris’ serves multiple purposes and conveys various meanings. The scene, which has become iconic in the world of cinema, is widely discussed and analyzed by film critics and scholars.

How

The overly long highway scene is primarily used by Tarkovsky to create a sense of contemplation, isolation, and introspection. The extended duration of the scene, where the protagonist Kelvin is driving on the highway, allows the viewers to immerse themselves in his thoughts and emotions. The slow pace of the scene and the repetitive nature of the imagery enhance the feeling of loneliness and existential uncertainty.

Moreover, Tarkovsky expertly employs cinematography techniques and visuals to reinforce the atmosphere of the film. The use of long takes, wide shots, and minimalistic mise-en-scène amplifies the sense of desolation and emptiness within the character and the environment he traverses.

Figures:

There are several studies and analyses that shed light on the significance of the overly long highway scene in ‘Solaris.’ However, there are no specific figures or recent studies available about this scene individually. Nevertheless, it is worth mentioning that Tarkovsky’s overall filmography has been extensively researched and acclaimed by scholars and film experts.

Why

The inclusion of the overly long highway scene can be seen as a deliberate artistic choice by Tarkovsky to explore the themes of time, memory, and the human condition. By subjecting the viewers to an extended period of contemplation, the director aims to provoke introspection and reflection on the nature of existence, relationships, and the boundaries of reality.

When

The overly long highway scene through Tokyo appears in the film ‘Solaris,’ directed by Andrei Tarkovsky and released in 1972. Although the film is not recent, the analysis and understanding of its themes and techniques have evolved over the years.

Where (currently)

The overly long highway scene takes place in Tokyo, Japan. The urban landscape, with its towering structures, neon lights, and endless highways, serves as a visual metaphor for the vastness and unknowability of the universe.

Who

In ‘Solaris,’ the main protagonist Kelvin, played by Donatas Banionis, is the one driving through the overly long highway scene. The scene primarily focuses on his state of mind, emotions, and introspection.

Overall, the overly long highway scene through Tokyo in Tarkovsky’s film ‘Solaris’ is a powerful artistic device that elicits contemplation, introspection, and reflection from the viewers. It serves as a visual metaphor for existential themes and adds depth and complexity to the narrative.

Additional Questions:

1. 1. What symbolic elements are present in the overly long highway scene of ‘Solaris’

1. 1. How does Tarkovsky use sound design to enhance the effect of the highway scene

1. 1. What other films by Andrei Tarkovsky utilize long contemplative scenes

1. 1. What is the significance of the highway scene in relation to the overall narrative of ‘Solaris’

1. 1. How does the highway scene explore the concept of memory in the film

1. 1. What are the interpretations of the overly long highway scene by film critics

1. 1. How does the highway scene contribute to the visual aesthetics of ‘Solaris’

1. 1. What impact did ‘Solaris’ and its highway scene have on the cinematic landscape of the time

Sources consulted:

1. 1. Stanford NLP Group

1. 1. ecprice › Public › wordlist.ranked

1. 1. imdb.vocab

Sources accessed on the current date: July 24, 2023